Bio

My singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and an ongoing exploration of extra-normal vocal technique.

I also take influence from industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism.

Pronouns: she/her.

 

I recognise the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of this country; I recognise the Whadjuk people of the Noongar nation as the traditional custodians of the land where I live (Perth, Western Austalia).